I’m writing this after just coming in from a tromp around the headlands as the sun went down, accompanied by a perfect blanket of fog and mist.
On clear days, there is a constant stream of sunset revelers past my studio doors, straight down Little Lake Street to the headlands. This is a great place to watch the show, with a clear view and a complement of waves thundering against the bluffs below your feet.
Did I say that it’s right down the street from my house? Yup.
I have come to prefer the misty, almost eerie sunsets, at least here at the bluffs. And it’s not just that there are less people about, although that’s part of it. It’s gentler, not blindingly bright, and full of surprise sunrays peeking through and about the clouds and washing them with swaths of color and metallic golds and coppers playing about the fog belt, the clouds…
As I write this, my nose and feet are just about thawed, and after I close this, I’m heading back downstairs to the studio to mix up pouring medium and this new palette of pigments I’ve been experimenting with. I’ve been mixing and pouring color swatches on mylar since I got back after the extended family holiday, trying for a more Mendocino Northern Pacific Ocean feel while still retaining a lot of the transparency that I love.
I think I’m close enough to just go try it out. 21sheets so far. 54 color combinations.
Is that getting obsessive?