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pouring medium

Contemporary, abstract, liquitex pouring medium, pour painting, colorful green and bronze art
time4.0 by Linda Ryan
UPDATE:  I am now completely sold on ArtResin, a non-yellowing, museum-grade acrylic resin with excellent UV stabilizers.  It’s expensive, so it’s not going to be for everyone, but if you are intending to exhibit or sell your pours in galleries, it might be worth it.  It’s nontoxic, also.  Great info and demo videos are on the website, but I suggest looking up any questions on their FAQ page, here.
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Below is my original post:

Hi there!  I thought I’d give you some information about how to care for your poured art made with .Liquitex Pouring Medium.

After it’s dry on the surface, it can stay open or slightly sticky and vulnerable to damage for a while.  And, underneath, it can take a while for all of the moisture to evaporate – you can usually see a degree of milkiness while it’s drying.  Sandwiched layers can take weeks to dry (think of milk trying to dry between a sealed plastic envelope), so be patient, especially in high humidity.  

While drying, make sure to keep dust off it, especially if it’s exposed to heat. Exposure to heat opens acrylic molecules and it can tend to grab the dust and become one with it.  This can happen with paper, or whatever pourous object is touching it.  This medium is particularly susceptible to this problem.

Give it several weeks to fully cure before you varnish it. I like Golden’s or Krylon’s gloss UV archival spray varnish – less chance of bubbling than brushing it on and hardens the surface a bit. Make sure to follow the directions and keep the nozzle clean to avoid spattering, which can ruin your finish. UV protectant is a good idea, especially if you use a lot of interference paint, which can go “fugitive” on you with sun exposure.

I still suggest using care when handling it or storing it, if it isn’t going to be hung on your wall right away. The medium never really goes as hard as a resin, and you want to protect it from dings and dents.

Works by Students in my First Luminous Pour Painting Workshop

First Luminous Pour Painting-focused Workshop 2015, 12x18
First Luminous Pour Painting-focused Workshop 2015, 12×18, by Frank Castillo

The workshop, held August 31st at the Bothwell Arts Center, turned out great and taught me as well! I’m giving my first students great introductory prices so that I can get their feedback and improve as a teacher, also, before I go out and do this on a broader scale.  Want to join us? For a limited time, you can get my workshop materials for free, learn how to make luminous pours, and be one of my “pour painting test kitchen recruits” – click here.

Students practiced on plexi and then created these pieces themselves!  Woot woot!

First Luminous Pour Painting Workshop, 2015
First Luminous Pour Painting Workshop, 2015 – Beverly Castillo
Contemporary abstract
First Luminous Pour Painting Workshop
2015 by Peggy Schimmelman
12×18
contemporary abstract
First Luminous Pour Painting Workshop, 2015 by Marge Haggin
First Luminous Pour Painting Workshop, 2015
First Luminous Pour Painting Workshop, 2015 by Jeanne Bartelt
First Luminous Pour Painting Workshop, 2015
First Luminous Pour Painting Workshop, 2015 – June Ferrerri
First Luminous Pour Painting Workshop, 2015
First Luminous Pour Painting Workshop, 2015 – Vicki Aboumrad

IMG_1606

First Luminous Pour Painting Workshop, 2015 – Tammy Averill

Luminous Pour Painting by Nancy Carver

First Luminous Pour Painting Workshop, 2015 – Nancy Carver
First Luminous Pour Painting Workshop, 2015
First Luminous Pour Painting Workshop, 2015 – Carol Eicher
First Luminous Pour Painting Workshop, 2015
First Luminous Pour Painting Workshop, 2015 – Norma Webb

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